Channelling the city's relentless energy and vibrancy of São Paulo, director Marcelo Caetano's unflinching drama focuses on those who inhabit the outskirts of an ever-changing metropolis. Fresh out of juvenile prison, 18-year-old Wellington (the actor João Pedro Mariano) finds himself at a crossroads; abandoned by his parents, the wide-eyed young man finds solace in the arms of others.
On an evening out with his lively group of gay and non-binary friends, Wellington meets Ronaldo (Ricardo Teodoro), a muscular, charming hustler over double his age. Bathed in the pulsating light of a XXX cinema, their initial encounter is physical and passionate, with an tinge of peril. Ronaldo promptly ushers Wellington to the shadowy world of sex work and narcotics trafficking.
Caetano depicts Wellington’s new life of crime with tender empathy as opposed to as a melodramatic morality play. Now using the alias Baby, he approaches his transactional encounters with brash fearlessness and poignant gullibility. To his patrons, Wellington provides not just his youth and his body, but also instances of tenderness.
In the electrifying chaos of São Paulo, overflowing with bustling alleyways and colourful shopfronts, there’s a gnawing loneliness, as adrift individuals grasp at one another for fleeting joy.
"The urban landscape are fraught with peril, yet they are also the space where they can forge familial bonds, too."
Ronaldo is at once a romantic interest and a guardian-like mentor to Wellington, but their relationship is derailed by envy and monetary insecurity. Dangers posed by dubious individuals in the underworld pale in comparison to the dread of government monitoring and imprisonment, epitomized by the constant sight of police officers on patrol.
Baby is most powerful as a keen observation of the forgotten souls who have been failed by the system. The film ultimately serves as a heartfelt look into resilience, non-biological kinship, and the quest for identity within a unforgiving urban landscape.
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